Alabama Civil War History

Most surviving correspondence of the Civil War period was written by members of a literate, elite class; few collections exist in which the woman's letters to her soldier husband have been preserved. Here, in the exchange between William and Emily Moxley, a working-class farm couple from Coffee County, Alabama, we see vividly an often-neglected aspect of the Civil War experience: the hardships of civilian life on the home front. Emily's moving letters to her husband, startling in their immediacy and detail, chronicle such difficulties as a desperate lack of food and clothing for her family, the frustration of depending on others in the community, and her growing terror at facing childbirth without her husband, at the mercy of a doctor with questionable skills. Major Moxley's letters to his wife reveal a decidedly unromantic side of the war, describing his frequent encounters with starvation, disease, and bloody slaughter. To supplement this revealing correspondence, the editor has provided ample documentation and research; a genealogical chart of the Moxley family; detailed maps of Alabama and Florida that allow the reader to trace the progress of Major Moxley's division; and thorough footnotes to document and elucidate events and people mentioned in the letters. Readers interested in the Civil War and Alabama history will find these letters immensely appealing while scholars of 19th-century domestic life will find much of value in Emily Moxley's rare descriptions of her homefront experiences.

In 1958, an African-American handyman named Jimmy Wilson was sentenced to die in Alabama for stealing two dollars. Shocking as this sentence was, it was overturned only after intense international attention and the interference of an embarrassed John Foster Dulles. Soon after the United States' segregated military defeated a racist regime in World War II, American racism was a major concern of U.S. allies, a chief Soviet propaganda theme, and an obstacle to American Cold War goals throughout Africa, Asia, and Latin America. Each lynching harmed foreign relations, and "the Negro problem" became a central issue in every administration from Truman to Johnson. In what may be the best analysis of how international relations affected any domestic issue, Mary Dudziak interprets postwar civil rights as a Cold War feature. She argues that the Cold War helped facilitate key social reforms, including desegregation. Civil rights activists gained tremendous advantage as the government sought to polish its international image. But improving the nation's reputation did not always require real change. This focus on image rather than substance--combined with constraints on McCarthy-era political activism and the triumph of law-and-order rhetoric--limited the nature and extent of progress. Archival information, much of it newly available, supports Dudziak's argument that civil rights was Cold War policy. But the story is also one of people: an African-American veteran of World War II lynched in Georgia; an attorney general flooded by civil rights petitions from abroad; the teenagers who desegregated Little Rock's Central High; African diplomats denied restaurant service; black artists living inEurope and supporting the civil rights movement from overseas; conservative politicians viewing desegregation as a communist plot; and civil rights leaders who saw their struggle eclipsed by Vietnam. Never before has any scholar so directly connected civil rights and the Cold War.

Music history of the United States during the Civil War era - The music history of the United States during the Civil War was an important period in the development of American music. During the Civil War, when soldiers from across the country commingled, the multifarious strands of American music began to crossfertilize each other, a process that was aided by the burgeoning railroad industry and other technological developments that made travel and communication easier.

Music history of the United States to the Civil War - From independence to the start of the Civil, American music underwent many changes. The folk vernacular traditions diversified and spread across the nation, while a number of prominent composers of European art music also arose.

Photography and photographers of the American Civil War - The American Civil War (1861–1865) was the third war in history to be caught on camera. The first two were the Mexican-American War (1846–1848) and the Crimean War (1854–1856).

The Civil War: A Narrative - The Civil War: A Narrative (1974), a three volume, 3,000-page, 1.2 million-word history of the American Civil War by Shelby Foote, is the work for which he is best known.

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